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Dance Luminary Matthew Ball on Grueling Roles and Online Attention: 'I'm Not Protective About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is effortlessly straight-backed, his limbs muscular beneath a plain tee. On stage, dancers can appear as powerful gods, yet frequently in person they are small. Not so Ball, whose height is one reason for his popularity for princely roles and partnering. Possessing delicate traits and intense eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

At 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little ridicule for his childhood interest in ballet. Entering the esteemed training institution at 11, he graduated directly into the troupe and was advanced each year, reaching the highest position of lead dancer in 2018. He has relished tackling meaty characters, particularly the psychological angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring role is as himself, in an "In Conversation" event aiming to offer intimate perspectives into a performer's art. He will guide the audience through a part, demonstrating his mental workflow during execution. Even in more comedic works, the test is profound. "A classic ballet is one of the most demanding from a skill perspective," he notes.

The Psychological Game and Post-Performance Feelings

How does he feel after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get immersed in the role, frequently I do feel embarrassed later. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. Yet a dance maker once remarked on a "kind of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for positive change."

Early Drivers and Artistic Inspirations

His tenacity originated in early experiences. Not doing well in contests at school made him "driven!" It was motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own dance works. In his view, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from literature, music, and painting.

Intimate Performance and Personal Partnership

He also favors staging dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Image

On Instagram, followers can see clips from his projects and images that highlight a athletic form. Does he care that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various levels.

Ball characterizes his early self as "eager for success." Has it met his expectations? "I feel very aware of how reality is a different thing to the dreams you had as a young person," he muses. He likely has another ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

Written by

Christina Martin

Tech enthusiast and digital strategist with over a decade of experience in driving innovation and growth.

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